Movies That Matter: Reading Film through the Lens of Faith

Movies that matter : reading film through the lens of faith
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Published Chicago, Ill. Language English. Subjects Etik Motion pictures -- Moral and ethical aspects.

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Motion pictures -- Religious aspects -- Christianity. Summary "This thought-provoking and inspiring work by popular film critic and Jesuit Richard Leonard explains how movies are today's parables and why people of faith need the skills to converse about them intelligently and productively.

Movies that matter : reading film through the lens of faith

In Movies That Matter, Leonard views fifty important movies through "a lens of faith" and offers surprising insights on the spiritual dimension of each film. From Finding Nemo to Gandhi to The Godfather, Leonard's informed, Christian point of view guides us to a new appreciation of both the films and our own spiritual beliefs.

Leonard also lists teachable moments found in each movie and provides questions for personal reflection or group dialogue. He offers realistic advice on such topics as: valuing our story, sex and violence in films, ratings, and how to be a critical consumer. This entertaining and reliable guide will enrich your movie-watching experience. Book jacket.

Notes Adult faith. Includes bibliographical references p. View online Borrow Buy Freely available Show 0 more links Set up My libraries How do I set up "My libraries"? James Wallace Memorial Library.

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Who we are expresses everything that needs to be said. Nashville, TN: Abingdon, Thanks much for the great work you do with movie reviews. I have longed for someone who could do intelligent movie reviews with an eye towards their metaphysical and theological implications. Open to the public Book English Griffith University. Notes Adult faith.

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Open to the public Book English Griffith University. L44 Book English Show 0 more libraries Are movies just mind candy or can they be vehicles for theological inquiry? Jesuit film critic and writer Leonard clearly believes the latter. He examines 50 films and extracts their theological themes with a direct and engaging prose style. Some of the film selections might surprise readers—Leonard is not afraid to tackle gloomy and often graphically violent films, such as The Exorcist , Unforgiven and The Godfather.

He is quick to point out that, while some movies contain lurid content, this should not detract from their critical messages about God, human nature and relationships. Leonard also includes more lighthearted fare, such as Groundhog Day and Chocolat , thus illustrating that no film genre is completely devoid of theological possibilities.

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The central point for readers who are followers of Jesus is found in the essay on Billy Elliot: "Christianity, rooted in the Incarnation, must be embodied.